About the Artist

Brandon Aday paints from South Florida — abstract, intuitive, built without brushes.

Originally from the South Jersey / Philadelphia area, Brandon studied at the Art Institute of Philadelphia before rekindling his practice in Miami. He works in acrylic and oil, on canvas and paper, in an Abstract Expressionist tradition.

At Pridelines Gallery during Miami Art Week.

Practice

The hand is visible in the surface, not the brush.

The work begins without brushes. Brandon applies paint with scrapers, squeegees, and tools picked up at the dollar store — pouring directly onto the canvas, letting it drip, drop, scrape, and, occasionally, pressing two wet canvases together.

Sometimes a painting resolves in a day. Other times a canvas stays on the easel for a week and a half, returned to in increments. The direction can shift mid-process. He works toward a feeling he calls silence.

“I will work on the painting until the canvas has nothing else to say to me. When I look at the painting and feel silence, that is when I know I am done.”

Looking

Looking at the work at close range.

Source material comes from looking down and looking at edges. Brandon collects hundreds of photographs of urban surfaces — concrete textures, cracked sidewalks, graffiti, stains, peeled paint on weathered walls.

“I get inspired by urban scenery, concrete structures, cracked sidewalks, or graffiti-filled walls.”

The images aren’t referenced literally. He looks at them to absorb them into the subconscious so they can re-emerge, unexpectedly, on the canvas.

Influences

The lineage the studio works inside.

At a recent exhibition opening.

The practice draws on Impressionism, Post-Impressionism, Expressionism, Cubism, and Abstract Expressionism.

  • Monet
  • Van Gogh
  • Munch
  • Kollwitz
  • Picasso
  • Pollock
  • de Kooning
  • Rothko
  • Anselm Kiefer
  • Gerhard Richter

Selected Works, 2019–2020

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